There is a mix of streams in which several people hold pine lights and rely on them to move together to get out of this city, and a stream that moves around to grasp this city apart from it, and a stream that tries to counter it.
Here again, Camilo says, "You're an injured man! Out of the way!" he shouted, some reason seemed to remain even in this mess, which made it easier to get by somewhat.
We run through the streets, sewing in the slightest clearance that people's reason has spared us.
Perhaps the mastery of this city will work. I wouldn't be planning to fail at first hand...... I'd like to think.
If so, it's best to get out of this mess before it calms down.
The chaos will continue for a few more hours, but if it passes, it will be harder to get out of this city.
"I hope our inn isn't on fire.
I see some firehands up there, and even as I run, I speak to the two of them.
"Maybe you'll be okay.
"Yeah. It's not even decent to grasp this city and seize the city's people's residences and stay there. A temporary garrison should be a barracks or an inn.
The two answer.
"I see. It doesn't make sense to burn what you're supposed to use, does it?
"It will.
Mr. Franz took it. Mastering this city also means a lot, but that alone will not end the revolution.
At least until you drag the emperor off the throne. Regardless of whether that ends in three days or takes a year, we have to keep this city that far.
In some cases it will also be close to the Battle of Cage Castle.
If so, is that the Imperial House of Lords? Like one or two buildings, including a show, to burn and show their righteousness?
Even if you say that the aristocratic hall is large, you know how many people can accommodate in two buildings per building, and if you decide that a relatively small place doesn't affect a large number of people, it's not something you don't know.
Trying to reflux the mayhem, we managed to get to the inn. The inn is standing there safely, and the looting that is common at times like this has not yet begun.
Heading to where I was putting the carriage, a big watchman I saw when I came stood disciplined with a big stick in my hand.
"I'm sorry, I'm leaving already!
When Camilo says so loudly, so does the watchman.
"Understand. Come on! I'm leaving too many people!
and returned it with an unbeatable shout.
A regular carriage would have had the option of leaving the city on a stream with Sassa, but Camilo's carriage is “specially made”.
Leaving it here could also affect later business.
While the number of carriages is considerably lower than when we arrive, we find our carriage and put Helen on the carrier first.
When I tried to grab him on the carrier, he grabbed his arm cuddly for a moment, but soon the force loosened, and I grazed him gently on the carrier.
In the meantime, when Mr. Franz brings the horse and connects, me and Camilo get on the carrier, too.
I held Helen and lay in the inconspicuous rear of the carrier and covered her with a blanket.
If I gently hold Helen's hand, which seems to be meticulous, she returns a gullible and powerful response. The carriage went in and out feeling it.
There's still chaos in the streets, but besides us, the carriage is moving at about the speed of constant walking, and we get behind it.
Me and Camilo will be on guard. I almost got rid of it, but the face is usually seen so it's care if the chaser was on it.
I wouldn't be able to do a lot of things with this mess, but still I've never gotten over caution.
Everyone is traveling when they see people trying to get out of the city on foot, on guard.
This means that the inhabitants of the town are almost caged in their homes, and this many refugees are mostly flowers who do business and travel.
For once, I thought I'd give him a ride if he had kids, etc., but he keeps spitting people out like a water mouth that spits out water - which means the gatekeeper isn't doing his job anymore - until we left at the gate, I never saw him.