Rike doesn't hide his excitement and asks me. Thermia looked at it with a face like, oh man.
There are three kinds of directions for what you make: one is the developmental type of weapon you've ever made, one is a weapon of a different genre, and finally, something other than a weapon.
The protective gear is terribly laborious (and the installation is telling me), so I want to stop it for today. I might be able to get Deanna or Helen's chest armor if I can get a long time in the last three weeks.
For example, the sickle was made as soon as it arrived here. Otherwise, it is not bad to make it because it is about the same size as in the meantime.
But this time I want to build a weapon. From what I've heard a little before, it seems Helen can handle a single weapon just by saying she's the best at short swords.
If so, I just want you to make some new weapons and try them out.
I have made it with swords, knives, short spears on spears, bows on halvards, and ordinary weapons, long weapons, and projection weapons.
"Mace next, I guess."
I've never made a blunt instrument before. If you have a flanged mace, your opponent can beat you with heavy armor.... I feel like it doesn't have to be Mace if it's from my full cheat, but aside from that.
I won't be bulky at that, but Mace would be able to use Helen as a short sword spare weapon when she returns to the main business. Even if the flange is slightly damaged, it can shock you, and if that gives you a slightly better chance of being helpful, I've never gone over it.
I need to ask Helen what's actually going on. So if you ask around it,
"Hmm, right. The movement is dull when it's too heavy, but I can't say Eizo's sword is much more intact, either. Maybe it's better when you say that."
It is the answer. Well, there's a chance it'll be okay at the other few decades level because I'm using apoitacara, but it's also not something I can totally guarantee.
The glitter in Lique's eyes adds even more radiance. It's Mace, isn't it? The structure itself is so simple, huh?
Still say I'll tour, so I'll let you like it there. Everyone else is going to make sheet metal.
Start with the flange. It's a radially popping part, and the shapes here vary, but this time I'll simply keep the curved mountain shape.
Heat the sheet metal on a fire floor to make it thicker than intended. The sheet metal was then considerably larger than the intended size.
After heating that sheet metal again, it is split using a pair of glasses. There are three made of one sheet metal, so the same task can be repeated two more times and nine small pieces can be made.
Heat one of the small pieces, tap it with a gold floor and shape it like Mount Fuji with a slightly pointed tip. The length of the hem of the mountain is about two grips.
It is a blunt instrument, so when it is molded, it is magical to increase hardness. It would be fine if it came in shape, but because of this, Helen decided to put in a little decoration that she wanted.
Even when it comes to decoration, it's the mark of our workshop, "Fat Cat Engraving." It emerges at a depth that does not drop in intensity. It took a little while, but I could finish it pretty.
Like sees what he can do seriously to his hands.
"This is pretty stiff,"
"It's mace. I prioritized hardness."
It is hardened by magic, making it easier to crack, like when the iron itself is hardened, and so on. Because if you just stiffen the iron itself, it can get pacified......
"Um, how about this? No, no..."
With a bitter smile at Lique, who started talking to herself as she watched one piece of the flange, I put a small piece in the fire floor to make the next one.