Chapter 56: 56 Failure and Success

If you look inside the blacksmith, there are all kinds of fire floors and fuigos, hammers and more. The other thing that catches my eye is a big hammer. If you look at it, the shaft extends outside at the top. You're the one who moves in the water wheel. Installation will teach you how to move it, so it looks like you can handle it.

The fire floor is not magically compatible, so I need to ignite it myself. Once you put charcoal in the fire floor, take the wood skin and straw that will be the fire exit, plus the sheet metal and hammer, and head to the gold floor.

When I put sheet metal on the gold floor, I hammer the edge thoroughly as I turn it upside down. After doing this for a while, the end of the sheet metal gets red heat. Straw on the wooden skin and let it touch the red-hot sheet metal there ignites the straw. Hurry up and take it to the fire bed, put it around the charcoal you laid, and then operate the fuigo until the charcoal caught fire.

After manipulating the fuigo for a while, add charcoal, manipulate the fuigo, and repeat. It's the part of our workshop that's magically daddy doing around here. All you have to do is throw in the charcoal and magically light it and send the wind. If you're someone who can use more magic properly than me, you should be able to do the same on this fire bed, but somehow you can't help it because it's the least you can do. And maybe people like that don't do blacksmiths.

The fire has turned enough and the temperature has risen, so stick in the sheet metal that looks like the best thing I had left and heat it up. When you're done heating up, start stretching. Place the heated sheet metal on the gold floor and hammer it. I'll try to make things as uniform as possible like the organization, but it kind of makes you feel a little different than usual. Because the hammers are different? I guess I should have had it from the workshop. This guy is a "bespoke model” so I slap him while I concentrate and put it off.

Eventually it became the length of the long sword. It's a shaping exercise from here on out. With the task of heating and beating, it creates a shape. The finished shape is a long sword with a straight blade section. The quality is rigid.

"Oh, you're doing it."

Camilo has spoken out about where he has been so far.

"Oh, in shape."

While I answer that, I put my sword in the fire bed and raise the temperature. Prepare to cook. While manipulating the fuigo, identify the perfect temperature. Eventually, the sword was heated to the temperature as I thought it would, so I take it out of the fire floor and quickly cool it with water. When the temperature has dropped sufficiently, gently warm it again to the flame of the fire floor and let it cool this time. I polished and sharpened, and now I'm supposed to be done...

"Hmm."

I was confused.

"What's going on? Didn't you make it?

Camilo is worried about how I am.

"No, I could do it, but I can't do this..."

Yes, it is. When I created the ”bespoke model," there was no such thing as brilliance in this sword. This is a good and ”luxury model”. I know it's ”cheesy” enough to do that in this short time, but it's not good enough to say that we're going to make the next family heirloom.

"It looks good enough."

"Hey. Not this one."

We also had firewood, just like our workshop, so we put straw on it and slash it with the sword we just struck. The straw was spat out. Firewood has a blade (...) Ri (...) Food (...) In (...) N (...) So (...) Y (...) Ru (...).

"Oh, that's so cute."

"Hey... this isn't it..."

Camilo is excited, but naturally this is not how my special-order models cut off. This is a luxury model. When I take out my knife, I cut straw and firewood with it. The straw was cut with a ston of firewood. It's still this cutaway when it's a proper bespoke model.

"Oh, hey, now..."

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"Hmm? Yeah, when I mean it, I can make something that cuts this much"

"Oh, really..."

Camilo is pulling a bit. Well, Helen's just really showed me the look, and you didn't show me the sharpness or anything.

"Don't say it all over too much."

"I know. I mean, you wouldn't believe me if I said that."

"I see."

Whatever the straw bundle with the knife, it even cuts the firewood.

"I'll give it a try."

"Who hit this one?

"If you want, I'll give it to you. Cheap."

"As always, you're a stubborn blacksmith."

Camilo laughed and said.

I've made about two knives since, but they were all fancy model stops. The sun has already fallen and Camilo is not here.

I'll compare the luxury models I made here to the bespoke models for my protection. Again, something like brilliance is completely different. Luxury models also have some shine, but bespoke models even look glowing themselves. No heart, or you look much more radiant now than you did when you made it. What is this difference... How do we make this glow out of the ingredients here?

"No. You're not."

I noticed. If it doesn't work with just the ingredients here, you can also use ingredients that aren't here.

When I make the fire on the fire floor strong, I heat it with a knife for my rosy protection. Remove the red-hot knife and cut into about one-third pieces. Once the smaller sheet metal and the cut knife are alternately placed on the sheet metal and wrapped in a wet thin anesthetic cloth, stick the straw burning ash there and put it in the fire floor to heat. It's red-hot and looks like a chunk. Take it out, make full use of the cheat, and hammer it so the steel on the knife you cut with the sheet metal here sticks together.

I have repeated this task several times and once it has been put together, this time I will hammer it to extend, but not yet here until the desired length. Once extended to some extent, put a cut in the middle, fold it back and put it together again. This work was repeated about fifteen times.

The chunks thus made are heated again and now extended to the desired length. Knock the mullahs off so that things like tissue are as uniform as possible at this time. Now I don't feel uncomfortable when I first hit it.

extended to the desired length. There is no unevenness or distortion at all. Make a shape from here. Heat and beat and repeat. While taking a serious look at it so that the unevenness and distortion in the corners do not appear again.

Eventually, the shape is not like the first strike, but rather the part of the blade draws an elegant curve. I wasn't aware of it when I first hit it, but if you're referring to it as a family heirloom, you'd better be this elaborate on the design. I was able to cook and bake, polish and grind everything perfectly with cheese.

I look at my freshly done self. This brilliance is definitely a bespoke model. Bring straw and firewood to set, and gently shake down the long sword you just made there.

At the next moment, the blade of the long sword bordered the ground, and the uneven straw and firewood were scattered on both sides of it.

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