Chapter 383: 383 29

The technique of Miso Jade reconnaissance revealed the whereabouts of all those who were imprisoned, but at the burden of the technique, he lost consciousness shortly after he had told the place.

Ten nights later, the four men, Shaking, Alisui and Tsutsuji, had left the Tsutsui in their rooms to travel on board in subspace tunnels with a view to where the prisoners were. I am a little nervous because there has never been anything like working without it.

There are three places left in captivity. Behind the scenes in the theater, behind the library, in the freighter. The four first went behind the scenes of the theatre.

On the move, a sudden explosion sounded and the ship rocked heavily.

Everyone stops unexpectedly. Two more blasts continue to sound, and at the same time the vibrations run.

"Nah, what is this? - What?

Alisui screams.

"Looks like something's going on out there somewhere we don't know. Is it the work of the Massago or..."

Ten nights says in a chilling tone.

"Yeah, maybe Senior Aizawa and Junko are in trouble."

Sneering and laughing shake.

The fire alarm sounds loud.

"There's a fire on board right now. It appears to have ignited the gas cylinder and caused an explosion. The place is... '

Further announcements of fire locations and warnings flow.

"I don't care what you think, it wouldn't be an explosion about igniting a gas cylinder."

Ten nights leaks a smile at the deception of being too forceful.

"Oh, you're starting to look like a movie. Fires and explosions in closed spaces. At the end of the day, I knew I'd sink.

Kana. "

Arisui, who was panicking with a twitch with an uneasy expression, seemed to have one pleasant shake.

"I just want you to stop sinking. Even if you get away with a boat, you'll be drifting for days with a bunch of hiccups on the boat."

Ten nights you can just imagine.

"I wonder if that's the bathroom or something. You butt from the top of the boat to the ocean, take off your pants and add something for me? Whatever the guy is, isn't it going to be a great memory of a woman or something for the rest of her life?

"No, I thought that was even a man with me"

Ten more nights when I think of what the shake said.

"If you sink like this, you won't be able to do the Whale Watching I was looking forward to after work."

"In any case, I want to avoid drifting, and I want you to be on your way to breaking out."

"The fire place looks like it's near where we're headed. Let's hurry."

A twat prompted the stopping and talking shake and ten nights, and the four resumed their journey.

He slept in his room because he used an excessive strain on his brain, but the explosion woke him up quickly and he couldn't get enough rest.

"I guess it wasn't those kids who did it."

(Wouldn't be. Isn't it the work of Junko Suzuoka and the others?

Because there should not be any kind of bomb, I thought that Machida would certainly be different after he told me.

(Worried? not accompanied by parents)

"If you say you're not worried, you're lying, but even those kids have been through the training grounds many times before, and I'll wait, believing you'll do well."

Shortly after he answered Machida with a smile on his face, he heard a knock. The grin disappears instantly.

"It's me, me, me."

I was surprised to hear a familiar voice from across the door. I didn't know this person was on this ship.

"Hey, hey."

Opening the door, a young woman in clothing, over two metres tall, smiles with her neck low.

"The police were on the move, too."

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Unexpectedly, he said. Though I thought he was under pressure via a grim penis and wouldn't move at all.

"That's when I move. Even inside the police, I'm antagonistic, and I can do whatever I want."

Ashiya Kurodo enters the room.

From the time when Kurodo fell into the back streets, it was only a matter of time before I knew what Kurodo was. Among the police officers in Euthanasia City, he is also a likeable figure. Not only are there many people in the backstreet who are intimate and awe of Kurodo.

(The best part about me being a good kid to this guy's excess, though I'm a little bad at it)

Because there are parts of me that don't fit with Nori, I didn't want to get involved with her.

"I knew you guys were here. So, I wanted manpower and I was going to ask you to cooperate, but you look kind of pale for a long time. Are you okay? Ten nights and no shaking?"

"I hate it, but I can't move in a glocky state. They went to help those who were taken."

"Right. Then there's no choice."

"Hey, did you get hired by the Massago, too?

Kurodo nodded at the inquiry.

"Ma'am. Even the police knew they were carrying out abductions on a regular basis, but they couldn't grasp solid evidence, there was pressure from above, and for the police to intervene, they didn't have to sneak in. And we just have to make a scene."

"You mean this blast and fire was done by Ashiya?

"No, it was the Junkos who did it, but I'm sure it's the development I want. It would help if the noise got bigger. I can call the Coast Guard. Junko could have calculated that for me, too. There's also a reason why I got through this, because Junko Yukioka is involved, the best troublemaker I know. It's going to make a big fuss for sure."

"No, I don't care about the noise..."

When he heard about Kurodo, he wondered if he could keep the rescued people in Kurodo. That's the safest thing to do, and we'll unload them.

"We also know you're rescuing the victims. I'd like to keep it here."

"Please."

Kurodo tells me before he says it. Without getting weird, I am relieved to hear that it was helpful to talk to Tong Tong Clap.

"Missago is nearby"

Ten nights, shaking, where the two Eko entered the theater through the subspace tunnel, Tsutsuji reports.

"Do you know he's close?

"I sensed it in the sway of space. I can't imagine any other Eko or Warico on this ship."

That's what Tsutsuji answers to the question of the Ten Nights.

"Then let's rendezvous. Let me see you this way and let you come out. Open it."

"Yes, sir"

Slightly bewildered to decide to shake, it opens the door that normally connects to the space.

"Hey, Massago! Get out of here!

A shake appeared in the guest's seat, her hands megaphone and screaming. But there's no response.

"I know you're there! Don't be so hard on me! Old man and old man are crying!

Still shaking to keep my voice shut.

"Can I come out here? It's the theater room that's holding him prisoner."

Misago usually shows up in space and says in a heartfelt and frightening tone.

"I mean, come on, if the shakes were shouting like that, the enemy wouldn't notice?

Ten nights when he shows up shortly after the Massago comes out, he says in a totally frightened tone.

"Theater..."

Standing in one of the guest seats, he narrowed his eyes at ten nights.

"Don't remind me. When you two went to Azito, the president pickled in formalin. It feels like a long time ago."

Look around the draped stages and guest seats of the curtain, and the ten nights are delayed by emotion.

And from the sleeves of that stage, the black clothes come out boiling with straw.

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