The taxi was headed in the same direction as the area where the manufacturing plant was headed the other day, through the same road.
The destination's correctional facilities were largely close to the town, but it was still in the mountains. But now it's a building that exists right along the road.
The building was two floors, and the ground floor was supposedly a factory that made something. A big shutter is down, and the road is stretched so that the car can get directly into the shutter.
"Waste of work? It's a classic backstreet organization."
True says when looking at the building you are looking for, mainly in the nuance of conscious explanations of your manners.
"Clones don't look right for an educated institution."
And, Shizuku. It's unclear how many clones there are inside, but with a large number, it doesn't seem like a very suitable building for living in, and I imagine a lot of poor handling.
"Mika, haven't you asked XIII anything?
"I know I should have asked, but I couldn't..."
Asked for a long time, with a slightly darker look, Mika answers with a different and pressing voice.
"Oh...... that would be hard to ask. I'm sorry to hear that weird."
"No, I'm just uncomfortable. No need to worry."
In the foresight of apologizing, Mika stares at the factory with frightening eyes as she says and gets her hands on her nostalgia.
"Okay, you better back off."
Midori prompts me. Yoshiku lowers to the rear as he is told and turns the camera. Whether the enemy came out and the dong pachi started, I also guessed for a long time with the air of True and Mika.
True moves forward. At the same time, two men show up from the side of the factory.
One is a middle-bodied middle-bodied man with a tired trench coat. The other was a skinny, magnificent man with vertical striped backs, wearing sunglasses and a loving head with a leash. The former is plain, but the latter is a combination of different colors: flashy and conspicuous.
"A nostalgic face. No, I guess I should say nostalgic head."
I gaze at the Reese man, and the truth squeals.
"Yoshiaki Kido, and Angel!
Mika mouths the names of the two people who came out.
"You were hired by a formalin-pickled president to wait in the back of the mountain like this to welcome us!
"That sort of thing. I've had plenty of time, and I was relieved to finally be free from boredom when I heard you were here."
In response to Mika's words, Kido wants a light mouth.
"Today I am a guardian angel and angel of death. To protect the educational grounds of the angels, I will be the messenger who will bring death to you."
Angel declares in a playful tone.
(What, this guy...)
While pulling to Angel's Nori, Yoshiku turns the camera.
"Do you remember me?
Hit that angel with a striving gaze, and the truth asks.
You're not really a killer.
Mika is surprised to note that she usually intimidates her opponent with an enormous amount of killing, but only with fighting.
"Naturally. Looks like you've grown a lot too. If you say it in Hierarchy, has Angel gone as far as Dominion?
When Angel answers, he turns to the person in charge with the camera. No, I can tell it's a clear camera gaze even over the sunglasses.
"Dad would tell you to keep it appealing because the camera is turning, and it's going to be publicity. Let me introduce myself. My name is Angel. An angel descended into the world of men with the appearance of a doorman on the back street."
Angel pointing toward her stepdaughter's camera, posing and naming her.
"It hurts and creeps at the time you name yourself Angel or something. It's called words and deeds, it's called knee-jerking tricks, everything's creepy."
Yoshiku said. Naturally, I intend to edit and cut my voice later.
"I don't want to tell you, and I don't want to remind you, but he's the only man in the rat who put dirt on me. Most of the time, I was still running, and now I'm definitely stronger."
I assure you, Angel laughs strangely.
"Isn't this guy leveling up during that period, like you've been growing since you put that dirt on him?
"Ok, that reasoning is correct, but I think my real brother is a little stronger in my spotlight. Wow? It's only a little bit, so I don't know which way I'll fall if I compete."
Even more Midori says in the long run poking so toward the truth.
"There's nothing I don't know. I've decided to win. Either way, let me handle him."
I wonder where the rationale for a strong statement lies, while Yoshiku turns the camera.
"Am I Kido!
Mika looks out at Kido.
Once Mika knew Yoshiaki Kido's name. That's where the name comes from. If it's as famous as it sounds, it also stands quite an arm. Unlike Angel, the main position is supposedly not a killer, but often undertakes the job of killing.
(Both of you, stay safe)
Yoshiku prays as he puts behind the boy and girl going to the dead place on camera.
(I can't turn the camera at the same time in two sets of battles, and I want you to fight one at a time, but I can't say that to a boulder.)
On the other hand, it was a long time ago when I snuck up on that.
"True! Attack Kido first!
Mika suddenly runs like that. I said I would do it with Angel and Sashi, and even though Mika herself was staring at Kido, this statement.
As the same attention was poured on Mika, I wondered if only Kido would follow Mika's words and the truth would attack, only for a moment, but the truth was more attentive.
If I tried Mika, that moment would have been enough. For that moment alone, the aim was for Kido to pay a stronger consciousness to the true than he did.
The long-time truth of the relationship immediately discerned Mika's aim, but the other faces remain unclear as to the meaning of Mika's statement.
"Soul blind spot!
Activates the destiny manipulation of erasing the perception of one's existence from a subject for only a moment. The activation condition is the presence on the spot of a person who is distracted besides himself. The stronger the awareness to draw attention, the higher the activation rate. To this end, it was necessary to make Kido's consciousness more aware of the truth than it was of himself.
Mika's presence disappears from inside Kido. I can't recognize Mika in Kido until Mika takes one action. Naturally, one of its possible actions will be an attack on Kido. Because you can't recognize Mika, you can't even change her.
It seems like a terrible ability at first sight, but it also has the disadvantage that there is no certainty in this fateful manipulation technique and the characteristic that it has a high chance of being disarmed when attacking. In addition, after each continuous use, the effect decreases.
Mika pulls out the gun and fires two shots. I didn't mix the shooting I assumed when I was sent, and I shot both of them at Kido's body.
One shot hit Kido's abdomen and the other hit Kido's chest. Wood doors nodding at the impact of the bullet and bleeding from the belly.
(You got a light kerri. Well, what kind of gun fight is this? But shooting people dying is tight)
My hand holding the camera is in desperate need so I don't shake, but my legs are shaking smaller.
As if responding to Mika's shooting, True and Angel also pulled out their guns at about the same time, moving sideways at about the same time, and True shot two guns a little faster, Angel shot one slightly late.
The true shooting was off. But Angel's bullet wore through his true right leg.