As for Biton, I wanted to divide it in the form of a firing squad from the ground while leaving a sniper squad in the building, but since some of the girls in the building were under Misaki's command and could have been obstructed by them, we all have to go back to the basement again and go outside.
"The World of Green Jersey! The rising tree is the great tower of life!
It was a bitton trying to leave the O.R., but the woodblock screams near the window before inviting the bittons.
"I made sure I could get out of here. Take a look."
When I stop by the window, a single tree that I didn't have until earlier grows right near the window. If you follow the branches and branches that are divided, you are likely to get down easily.
"What kind of power is that?"
"I believe in young people's praises."
Praise truly, woodland construction facing that way on the top of the Buddha.
"Is it not possible to be attacked while you're down a tree?
Says Kantaro with a frown root.
"Because professors don't imitate such cowardice."
"You just have to get down so we don't see any gaps."
In response to the words of Jiantaro, two of the girls said each in a annoying face.
Biton and his soldiers, and the Kijima clan, True, and even the four Akiko, all follow trees and descend from the fifth floor of the building onto the road.
"Is there one opponent and thirteen over here? Princess, how are you going to work together?
Seeing Migasaki nestled in the middle of the road, Mori asks.
"In the meantime, take a look at the arrangements for a private oilfield store. Hands when you can afford to."
The tree feels confronted by Miyazaki when he is an unafraid opponent, even thirteen to one.
I set it up from bitons first. Simply simultaneous shooting of soldiers. A schematic that usually doesn't help first, where multiple people shoot one person simultaneously with a machine gun.
(I wouldn't have a hard time killing a man who is considered to be Yukioka like that though)
When I was exposed to the rain of the bullet and saw Migasaki sitting quietly dressed with his hands around his waist, I truly thought without any surprise.
"What's going on..."
Stop shooting guns, Biton groans. The other soldiers are upset.
"It's no big deal. I just applied the settings to the space around me. An object that moves at more than a certain high speed is like jumping over me."
Migasaki speaking pale.
"So you're saying guns don't work. What happens if I use my abilities to get close?"
"Trying is dangerous. See how it goes a lot."
A tree that puts a stop to the deviant Kotaro.
"Space manipulation is the eighteenth highest ranking sorcerer or overlife."
Truth be told, I will shoot the gun with Misaki in my face.
Now Migasaki to scratch. He reacted to a true shooting shortly after, saying he would automatically jump over with space manipulation.
"Well, did you see through it? A boulder."
Misaki laughs and the figure disappears. Shortly afterwards, Miyazaki was in a completely different place from where he had been until then.
"It would be true that we were using spatial manipulation. Show yourself in a different place. It's like a mirage."
When True makes the point, Misaki applauds.
"Your name and answer. But I've often found my words to be false, and I've seen them through."
"I decided that the bullet would not work at all, and my soul and guts were clear about planting fear. Besides, with such specific conditions, if you can set up an attack avoidance, it means that even overlife is invincible, like not having teeth at all, even with snow oka or tiredness. I stepped on it to get as far as I could."
A girl named Dawn Yu, who truly wears an archery of combat training, can erase an attack with certain conditions, and truly knows that, but only on the condition that there is a limited space in one side of sight. After remembering the same thing, I discovered that Misaki's words were lies.
"I have to say knowledge, experience, insight, all excellent. Two, if there is a mistake, then space manipulation can be broken with space manipulation, so if there was a person with the ability to lie that I lied to, I can break it again, so it's not as invincible as you think. And it's no wonder you were there. Well, if you try to be a regular person, it's a lot of trouble."
While praising the truth, I will correct your mistakes, Misaki.
"By the way, are you going to play with me, too? Yukioka, you're in front of me, so it's hard for you to get your hands on me, but you're still gonna get a little painful in the eye, right?
"To the extent that it helps. I'm not asking you to shy away."
True said, I fired at Misaki.
"Shoot!"
Biton and his soldiers fire simultaneously.
Truth is, shortly after I fired two guns, I was quickly moving away from the scene in a great hurry.
The bittons disappear and stop shooting their guns.
"Oops!?
"Ha!
Two screams rise. Misaki, who appeared behind the soldiers, had seen a handknife and had unconscious two soldiers.
"Especially if you can't even show off my unique abilities, it's going to be over. It's a shame. Unworthy opponent, but late."
A soldier nearby pointed the gun at Misaki, who was alone, but his barrel was cut off and fell to the ground. Misaki instantly moved behind the surprised soldier, struck him in the neck with a knife and stunned him.
Afterwards, a one-sided Fumizaki unobtrusion begins. One hand after another defeats the tenacious soldiers as thin bodies like dead branches emerge and disappear.
"Miki, help me."
"Whoa, but isn't it too late?
Encouraged by the tree, Kantaro smiles bitterly while flying the line of light to a place where Misaki and the soldiers are. Already the soldiers had been reduced to the remaining three, including bittons.
"Hmm."
Miyazaki notices the presence of a stretching line of light. Look at it in a small drone, and I know what kind of ability it is.
At last, Kantaro appears in front of Misaki on a fast trip, and the fist of a ghost waves in Misaki's face.
At that time, the truth shoots the gun. The aim was Misaki's left shoulder. To be precise, he sealed the movement of his left hand and directed Miyazaki to flee to the right.
Miyazaki flipped his body to the right side, as true prospect suggests, avoiding true shooting, Kantaro's fist at the same time.
Just where I avoided it, the bitton that was on the right side of Miyazaki looms.
Misaki cannot avoid the midsection kick released by Biton and takes it with his right arm.
(What, this guy's body...)
An arm as thin as a match stick receives an intense kick of bitumen. Biton remembers what it feels like to kick a steel stick.
Misaki puts a foot payment on Biton. Kanataro is distracted when he sees Misaki's thin legs making Biton's tough lower body look like a sideburn. I don't understand how this can be imitated by Misaki, who doesn't seem to have any weight or power.
(As far as the movement goes, that guy named Biton, he can do the equivalent. I can't believe you took that down so lightly......)
Seeing the invisible force at the bottom of Misaki, True is a battle.
"Professor Miyazaki is in control of his body."
The hope I was watching squealed. A stream of power unseen to others was clearly recognizable to the hope.
"Whether it's an attack or a defense, the power is focused instantaneously. Harder and stronger. The addition or subtraction of muscle force is also improbable and instantaneous. But that's really for a moment. In the meantime... I had spotted all the places where the body of a man named Biton was powered and missing. So I could easily roll it over like that."
Descriptions of hope had reached true ears, and truly, I could understand how Misaki was drawing on its instantaneous power.
"So you can control the idiotic power of the fire?"
True said. It is possible to do the same only for a limited moment. True, it cannot be serialized, but from what I've just seen, Misaki is flat serialized.
Miyazaki gently snaps the barrel when he silently takes Biton's machine gun in his hand. He even pulled out the pistol he had in his nostrils and similarly broke the barrel to render it useless.
"Why don't you kill me..."
Biton, whose leg is broken and falling, looks at Miyazaki's behavior and asks.
"I don't like killing with my own hands directly. For example, whoever tries to kill me. Thanks to me."
"Thank you, I'll make you regret it one day. You don't have to kill me directly, you're not gonna change the fact that you drove my men to death."
"I'm guessing you're the ones who put your hands on it first. Oh, boy."
Miyazaki takes his eyes off Biton and takes a glimpse of the rest of the soldiers, True and the four nearby executives, respectively.
"Are the two Kijima people over there asking how they are doing? But you'll be in the war soon. Because..."
Misaki's gaze was directed at Keitaro.
Kantaro feels something cold in his spine. Even the defenseless Kotaro can tell that the man in front of him is clearly toothless on his own. The spearhead was pointed at me.
"Oh, no, Captain Bitton. You've lost so much."
At that time, many who are on the spot hear a familiar voice.
"Mom......"
"Lily."
Open the upstairs window of the building in Miyazaki and look at the lily peeking into her face, Akiko shrugs and Platinum Taro screams.
"What are you doing thanking people for their homes?
Turning his gaze to the lily, Fumizaki asks. I'm not angry that you're going up to Ajito on your own. Misaki was wondering why Lily was there and what she did.
"Professor Miyazaki, I would like to thank you as a guardian for saving the life of Akiko's lover, Akiko's hopes. Even though it's the result of half the fun."
Not answering Misaki's question, Lily speaks with a smile.
"But you're not good afterwards. Because I brought my hopes here, Akiko and we started coming here, and I got caught up in your crap. It's very offensive."
"So, me and Yukioka play in the way of your game, huh? Sounds like you."
"You didn't like it for a long time, and I thought it would be a good opportunity."
Shortly after Lily said, the wall on the third floor of Ajit's building in Miyazaki was pulverized as if it had exploded from the inside, and a giant spherical thing popped out of it and fell to the ground.
Seeing what came out, Misaki frowns. And Akiko, and his eyes, and his soldiers, lifted their faces.
That was a huge chunk of meat. It was a ball of meat. It was meat dumplings. But it's not a complete sphere, it's an extremely cluttered mass, and the hands, feet, faces, etc. of those gathered together in the sphere protrude from there.
"I expected you to come down from your servants and leave. No, it was meant for me to be. There's no way you're gonna miss this."
A lily jumped out the window and went down to the ground, standing beside a giant meat dumpling, talking comfortably toward Misaki.
"I've got your precious servants together. Is it your dream to make something like this? I helped you ahead of time. Thank you at best."
A lily that smiles and says it with disgust.
The meat dumplings are based on an army of semi-naked beautiful girls who came to Jong-Phantom City with Misaki.
The girls made into meat dumplings seem unconscious, they meditate firmly on their eyes, and they don't talk.
"Hmm. Spirit souls are not flying. Something like a half-dead person. I struggle, but there's nothing I can't fix... But first, we need to make it inactive for once."
Pushing anger to death, Misaki calmly analyzes the servant girls who were turned into meat dumplings.
The meat dumplings spin hard, and Misaki glances at them and sticks them in. Keitaro runs away so he doesn't wind up. But Misaki doesn't try to escape.
As Misaki takes the white handkerchief out of his pocket, he throws it overhead, looking at the meat dough coming towards him. Handkerchief got huge over Misaki's head, and on the verge of meat dumplings crushing Misaki - and crushing a bitton that was falling on his side - he shook over the two of them, covering their bodies softly.
The rotating meat dough rolled over the giant handkerchief and stopped the movement as it ran straight into the house across the street.
When the flattened giant handkerchief instantly returned to its original size, Miyazaki and Biton, who should have been struck over the handkerchief, were in the same position as before. Miyazaki returns the handkerchief to his chest pocket.
"What trick..."
True groans.
"I dare you to add and subtract me where I have made half a dead man. I have a feeling you're setting a trap there again. Well, what's the matter? Still no trouble with that hand?
Miyazaki moves slowly off the spot as he looks at the meat dough and puts his hand on his chin to conceive.
(Hit this guy for a second... he broke his leg and couldn't move. You protected me? If it was just a scratch, you could have done it. Besides, we're still heading somewhere else so we don't wind up?
I think as Biton looks behind Miyazaki.
(How could a guy like that, who used my men as an experimental bench to remodel you, set up a death game to play. But...... that was the only move I could think of)
Biton, a stubborn common sense man in one way or another, had a hard time understanding a man named Miyazaki.
"What do we do?
One of the still conscious soldiers comes to Biton's side and asks for instructions.
"You shouldn't do anything now. Let the monsters fight each other."
It is unclear which will win, or end without a settlement, but Biton decided that they are not the ones who can get their hands on the detour.
"Princess, we're in the air."
Mori Master in game mode all the time says.
"Good for the air. I would have told you the truth. Survival is the key. There's no way out of the way here."
"I thought you'd put a mike on it."
"I saw that Misaki was repellent for murder, but the late. And now that that that lily woman has come out, that's not how it's gonna be."
The tree sees it as a battle with the possibility of dying in the winding up.
The meat dumplings roll over Misaki again, but this time avoid them lightly and scratch them.
Before that avoided appeared a space-transferred lily. A lily with a delightful grin waves her knife down at Misaki, who is subtly out of shape.
The blow from the knife slowed the movement along the way. The track is off as well.
The grin disappears from Lily's face. Lily's body blew heavily in the middle of the attack. The gunshot sounded, and Lily glanced at the shock she had suffered.
It occurred when attacking Misaki, aiming at the gap, and the truth was shooting at Lily.
The bullet was piercing Lily's shoulder. Lily immediately regenerated the wound, but the fact that she was interrupted by her attack, the fact that she was hurt, the fact that she tasted the pain, and the slightly spilled blood stained her clothes hit a really fierce angry gaze.
"Which side are you on..."
A bitton groans when he sees that the truth has shot the lily.
"They're both enemies. Bad stupidity showing gaps."
True to say arrogant.
"Bullshit, I'm kidding! He's got a lily! Never forgive me!
There were those who exposed their anger even more intensely than the lilies who were shot. It's Taro Platinum.
"Wait, Platinum Taro"
Akiko stops Shirakataro from trying to fight True.
"You know... Platinum Taro. Let me tell you something. If you really win, it's a gag."
"My anger is serious right now! There's nothing more! What would you think if you could hurt your hopes in front of me?
As he yelled and scattered at Akiko, Platinum Taro rushed out toward the truth.